Films by Aziz / 16 seconds
Paper Cranes
A worry, folded into flight.
Arabic audio. Captions are available in the player.
Resolution: 1080 × 192024 fps48 kHz / Stereo
Picture & sound details
Fixed measurements from the film file playing here.
Picture
- Resolution
- 1080 × 1920
- Frame rate
- 24 fps
- Bit depth
- 8-bit
- Colour metadata
- Colour space unspecified
Frame nearest the poster time, at 6.792 s. 8-bit Y values describe this frame; they do not score the grade.
- Shadows · 10th percentile
- 71 / 255
- Highlights · 90th percentile
- 200 / 255
At least 10% of pixels are at or below the shadow value; at least 90% are at or below the highlight value.
Luma readings
| Y range | Pixels |
|---|---|
| 0–15 | 0.00% |
| 16–31 | 0.53% |
| 32–47 | 2.16% |
| 48–63 | 4.24% |
| 64–79 | 7.07% |
| 80–95 | 7.88% |
| 96–111 | 7.30% |
| 112–127 | 6.75% |
| 128–143 | 7.08% |
| 144–159 | 9.46% |
| 160–175 | 17.90% |
| 176–191 | 14.13% |
| 192–207 | 8.84% |
| 208–223 | 3.71% |
| 224–239 | 2.95% |
| 240–255 | 0.00% |
Sound
- Integrated loudness
- -12.6 LUFS
- True peak
- -1.3 dBTP
- Loudness range
- 4.0 LU
LUFS describes perceived loudness across the film; dBTP estimates peaks between samples; LU describes loudness variation.
Channel-power average across the whole film. Frequency uses a logarithmic scale; 0 dB is the strongest band in this mix, not playback level.
Strongest analysed frequency: 521.5 Hz
Frequency readings
| Frequency | Relative dB |
|---|---|
| 22.9 Hz | -26.8 |
| 30 Hz | -27 |
| 35.2 Hz | -27.4 |
| 41.4 Hz | -27.5 |
| 46.2 Hz | -25.5 |
| 51.4 Hz | -22.6 |
| 57.3 Hz | -10.7 |
| 63.8 Hz | -4.1 |
| 71.1 Hz | -3.8 |
| 75 Hz | -4.3 |
| 83.6 Hz | -8.7 |
| 88.2 Hz | -9 |
| 93.1 Hz | -1.5 |
| 98.3 Hz | -1.1 |
| 103.7 Hz | -3.4 |
| 109.5 Hz | -2 |
| 115.5 Hz | -6.6 |
| 122 Hz | -6.1 |
| 128.7 Hz | -3.2 |
| 135.9 Hz | -6 |
| 143.4 Hz | -8 |
| 151.3 Hz | -9.6 |
| 159.7 Hz | -4.6 |
| 168.6 Hz | -5.1 |
| 177.9 Hz | -4.6 |
| 187.8 Hz | -4.1 |
| 198.2 Hz | 0 |
| 209.2 Hz | -5.1 |
| 220.8 Hz | -1.5 |
| 233 Hz | -4.3 |
| 246 Hz | -5.5 |
| 259.6 Hz | -0.4 |
| 274 Hz | -6.1 |
| 289.2 Hz | -2.8 |
| 305.2 Hz | -4 |
| 322.2 Hz | -5.3 |
| 340 Hz | -6.1 |
| 358.9 Hz | -3.8 |
| 378.8 Hz | -2.6 |
| 399.8 Hz | -4 |
| 421.9 Hz | -12.8 |
| 445.3 Hz | -5.1 |
| 470 Hz | -17.2 |
| 496.1 Hz | -5.9 |
| 523.6 Hz | -1.9 |
| 552.6 Hz | -15 |
| 583.3 Hz | -4.7 |
| 615.6 Hz | -5.7 |
| 649.8 Hz | -8.5 |
| 685.8 Hz | -11 |
| 723.8 Hz | -13.2 |
| 763.9 Hz | -8.5 |
| 806.3 Hz | -7.8 |
| 851 Hz | -12.9 |
| 898.2 Hz | -8.5 |
| 948 Hz | -16.3 |
| 1 kHz | -12.8 |
| 1.06 kHz | -7.6 |
| 1.11 kHz | -18.6 |
| 1.18 kHz | -13.4 |
| 1.24 kHz | -18.9 |
| 1.31 kHz | -16.3 |
| 1.38 kHz | -24.2 |
| 1.46 kHz | -19.3 |
| 1.54 kHz | -14.1 |
| 1.63 kHz | -22.9 |
| 1.72 kHz | -20.7 |
| 1.81 kHz | -17.1 |
| 1.91 kHz | -20.4 |
| 2.02 kHz | -17.7 |
| 2.13 kHz | -19.2 |
| 2.25 kHz | -23.9 |
| 2.37 kHz | -20.6 |
| 2.5 kHz | -27.2 |
| 2.64 kHz | -21.3 |
| 2.79 kHz | -26.8 |
| 2.94 kHz | -25.9 |
| 3.11 kHz | -23.4 |
| 3.28 kHz | -27.4 |
| 3.46 kHz | -26.2 |
| 3.65 kHz | -28.1 |
| 3.86 kHz | -26.9 |
| 4.07 kHz | -27.3 |
| 4.3 kHz | -29 |
| 4.53 kHz | -29.2 |
| 4.79 kHz | -30.4 |
| 5.05 kHz | -33.5 |
| 5.33 kHz | -32.6 |
| 5.63 kHz | -33.2 |
| 5.94 kHz | -33.5 |
| 6.27 kHz | -34.1 |
| 6.62 kHz | -35.6 |
| 6.98 kHz | -35.3 |
| 7.37 kHz | -36.2 |
| 7.78 kHz | -36.2 |
| 8.21 kHz | -36.1 |
| 8.66 kHz | -35.4 |
| 9.15 kHz | -35.2 |
| 9.65 kHz | -34.1 |
| 10.19 kHz | -32.6 |
| 10.75 kHz | -33 |
| 11.35 kHz | -32.4 |
| 11.98 kHz | -32.9 |
| 12.64 kHz | -35.2 |
| 13.34 kHz | -38.8 |
| 14.08 kHz | -41.4 |
| 14.86 kHz | -46.3 |
| 15.69 kHz | -59.6 |
| 16.56 kHz | -64.1 |
| 17.48 kHz | -66 |
| 18.44 kHz | -68.2 |
| 19.47 kHz | -72 |
The idea
A young woman sits with a mirror in a room made of paper. Folded birds lift from her desk and lead her gaze towards the open window and the city beyond.
Give the room, the character and the birds the same folded texture. The shift from looking down to looking out carries the emotion.
Credits
Concept, script and scenario: AzizMe
Voiceover: AzizMe
Direction and production: Aziz Al Khunizan (AzizMe)
Brand: Avant Clinics
AI-generated imagery and motion in a paper-craft style, with Arabic narration, captions and editing.
Behind the scenes
How it was made
Five moments from the finished film, following the paper birds out towards Riyadh.
01 At the mirror 
02 Paper birds lift from the desk 
03 Looking up 
04 An open window over Riyadh 
05 Avant Clinics
Scenario and scenes
The story starts close to the mirror. Paper cranes rise around the character, draw her attention upwards and carry the final view through the window towards Riyadh.
Light and grade
Warm window light picks out the folds and edges of the paper. The room and the city share a restrained palette of cream, rose and sunset orange.
Sound
A reassuring Arabic narration accompanies the change in the character's attention. The original audio mix and embedded Arabic captions are preserved in this portfolio version.
Voiceover script
Script and voiceover by AzizMe. The film is narrated in Arabic.
حبوب الشباب مو ذنبك. ولا لازم تخبينها. لها أسباب، ولها خطة لطيفة. تبدأ بتقييم طبي في أفانت. مع أهلك.English translation
Acne is not your fault. You do not have to hide it. It has causes, and there is a gentle plan for it. It starts with a medical assessment at Avant. With your family.