Films by Aziz / 55 seconds
96 years. Just getting started.
Arabic audio. Captions are available in the player.
Resolution: 1080 × 192024 fps48 kHz / Stereo
Fixed measurements from the film file playing here.
Frame nearest the poster time, at 12.5 s. 8-bit Y values describe this frame; they do not score the grade.
At least 10% of pixels are at or below the shadow value; at least 90% are at or below the highlight value.
| Y range | Pixels |
|---|---|
| 0–15 | 0.01% |
| 16–31 | 8.35% |
| 32–47 | 11.87% |
| 48–63 | 3.77% |
| 64–79 | 8.27% |
| 80–95 | 9.31% |
| 96–111 | 8.69% |
| 112–127 | 8.35% |
| 128–143 | 6.72% |
| 144–159 | 6.14% |
| 160–175 | 6.89% |
| 176–191 | 11.15% |
| 192–207 | 7.92% |
| 208–223 | 1.95% |
| 224–239 | 0.61% |
| 240–255 | 0.00% |
LUFS describes perceived loudness across the film; dBTP estimates peaks between samples; LU describes loudness variation.
Channel-power average across the whole film. Frequency uses a logarithmic scale; 0 dB is the strongest band in this mix, not playback level.
Strongest analysed frequency: 234.4 Hz
| Frequency | Relative dB |
|---|---|
| 22.9 Hz | -21.2 |
| 30 Hz | -18.4 |
| 35.2 Hz | -16.7 |
| 41.4 Hz | -14.3 |
| 46.2 Hz | -11.6 |
| 51.4 Hz | -10.5 |
| 57.3 Hz | -8.6 |
| 63.8 Hz | -5.7 |
| 71.1 Hz | -6.5 |
| 75 Hz | -8.3 |
| 83.6 Hz | -10.6 |
| 88.2 Hz | -11.2 |
| 93.1 Hz | -6.8 |
| 98.3 Hz | -5 |
| 103.7 Hz | -9.3 |
| 109.5 Hz | -7.1 |
| 115.5 Hz | -5.9 |
| 122 Hz | -9 |
| 128.7 Hz | -4.4 |
| 135.9 Hz | -5.6 |
| 143.4 Hz | -6.9 |
| 151.3 Hz | -8 |
| 159.7 Hz | -7.9 |
| 168.6 Hz | -5.7 |
| 177.9 Hz | -4.5 |
| 187.8 Hz | -4.5 |
| 198.2 Hz | -2.8 |
| 209.2 Hz | -5.1 |
| 220.8 Hz | -3.5 |
| 233 Hz | 0 |
| 246 Hz | -3.3 |
| 259.6 Hz | -7 |
| 274 Hz | -9 |
| 289.2 Hz | -4.5 |
| 305.2 Hz | -7.9 |
| 322.2 Hz | -11.8 |
| 340 Hz | -8.7 |
| 358.9 Hz | -8.3 |
| 378.8 Hz | -7.3 |
| 399.8 Hz | -7.5 |
| 421.9 Hz | -6.9 |
| 445.3 Hz | -7.3 |
| 470 Hz | -8.8 |
| 496.1 Hz | -12 |
| 523.6 Hz | -10 |
| 552.6 Hz | -12 |
| 583.3 Hz | -10.6 |
| 615.6 Hz | -15.2 |
| 649.8 Hz | -11 |
| 685.8 Hz | -11.8 |
| 723.8 Hz | -14.8 |
| 763.9 Hz | -16.9 |
| 806.3 Hz | -16.5 |
| 851 Hz | -16.3 |
| 898.2 Hz | -12.2 |
| 948 Hz | -9.8 |
| 1 kHz | -9.6 |
| 1.06 kHz | -14.4 |
| 1.11 kHz | -16.4 |
| 1.18 kHz | -12.7 |
| 1.24 kHz | -13.8 |
| 1.31 kHz | -8.5 |
| 1.38 kHz | -14.1 |
| 1.46 kHz | -13.6 |
| 1.54 kHz | -17.6 |
| 1.63 kHz | -20.4 |
| 1.72 kHz | -22.5 |
| 1.81 kHz | -21.4 |
| 1.91 kHz | -17.7 |
| 2.02 kHz | -18.5 |
| 2.13 kHz | -17.4 |
| 2.25 kHz | -23.4 |
| 2.37 kHz | -22.1 |
| 2.5 kHz | -20.9 |
| 2.64 kHz | -22.3 |
| 2.79 kHz | -22.1 |
| 2.94 kHz | -22.5 |
| 3.11 kHz | -24.6 |
| 3.28 kHz | -23 |
| 3.46 kHz | -24.4 |
| 3.65 kHz | -26.4 |
| 3.86 kHz | -25.9 |
| 4.07 kHz | -24.3 |
| 4.3 kHz | -25.5 |
| 4.53 kHz | -26.5 |
| 4.79 kHz | -27.7 |
| 5.05 kHz | -27.2 |
| 5.33 kHz | -27 |
| 5.63 kHz | -26.4 |
| 5.94 kHz | -27.3 |
| 6.27 kHz | -30.9 |
| 6.62 kHz | -32.2 |
| 6.98 kHz | -31.4 |
| 7.37 kHz | -29.6 |
| 7.78 kHz | -30.6 |
| 8.21 kHz | -31.2 |
| 8.66 kHz | -31.7 |
| 9.15 kHz | -32.3 |
| 9.65 kHz | -33.2 |
| 10.19 kHz | -34.8 |
| 10.75 kHz | -36.6 |
| 11.35 kHz | -37.5 |
| 11.98 kHz | -38.7 |
| 12.64 kHz | -40.1 |
| 13.34 kHz | -40.4 |
| 14.08 kHz | -41.9 |
| 14.86 kHz | -46.2 |
| 15.69 kHz | -47.9 |
| 16.56 kHz | -51.1 |
| 17.48 kHz | -54.1 |
| 18.44 kHz | -59.4 |
| 19.47 kHz | -80 |
Every achievement deserves a photograph. The story continues beyond it. A personal film for Saudi National Day 96, celebrating how far we have come and the excitement of what comes next.
The photograph becomes part of the scene: a moment to celebrate, then a reason to keep the story moving.
Concept, direction and production: Aziz Al Khunizan
A personal film with AI-generated imagery and motion, an AI voice performance using Aziz’s voice, editing and sound mixing.
Behind the scenes
Six moments from the finished film, from the selfie freeze to the end card.






The film was planned as a shot by shot storyboard, and crops of those storyboard panels became the starting frames for the generated scenes.
The generated scenes keep a natural warm light, so the oversized photograph and the people moving it read as a real day out. The film closes on a dark end card.
All three spoken lines are my own voice, performed through an AI model of my voice and timed so the countdown lands on the freeze and the last word lands on the end card. A guitar sting was tried early in the film and cut, so the final mix is voice, foley and ambience only.