Films by Aziz / 24 seconds
Camellia: Yawmik
A whole day, in one quiet frame.
Music, no dialogue
Resolution: 1080 × 192024 fps48 kHz / Stereo
Picture & sound details
Fixed measurements from the film file playing here.
Picture
- Resolution
- 1080 × 1920
- Frame rate
- 24 fps
- Bit depth
- 8-bit
- Colour metadata
- Colour space unspecified
Frame nearest the poster time, at 5 s. 8-bit Y values describe this frame; they do not score the grade.
- Shadows · 10th percentile
- 160 / 255
- Highlights · 90th percentile
- 217 / 255
At least 10% of pixels are at or below the shadow value; at least 90% are at or below the highlight value.
Luma readings
| Y range | Pixels |
|---|---|
| 0–15 | 0.00% |
| 16–31 | 0.15% |
| 32–47 | 0.09% |
| 48–63 | 0.23% |
| 64–79 | 0.38% |
| 80–95 | 0.41% |
| 96–111 | 0.52% |
| 112–127 | 0.62% |
| 128–143 | 2.48% |
| 144–159 | 5.07% |
| 160–175 | 14.67% |
| 176–191 | 31.46% |
| 192–207 | 22.76% |
| 208–223 | 13.53% |
| 224–239 | 7.64% |
| 240–255 | 0.00% |
Sound
- Integrated loudness
- -13.6 LUFS
- True peak
- -0.4 dBTP
- Loudness range
- 3.1 LU
LUFS describes perceived loudness across the film; dBTP estimates peaks between samples; LU describes loudness variation.
Channel-power average across the whole film. Frequency uses a logarithmic scale; 0 dB is the strongest band in this mix, not playback level.
Strongest analysed frequency: 210.9 Hz
Frequency readings
| Frequency | Relative dB |
|---|---|
| 22.9 Hz | -21.6 |
| 30 Hz | -22.7 |
| 35.2 Hz | -25.4 |
| 41.4 Hz | -26.4 |
| 46.2 Hz | -25.6 |
| 51.4 Hz | -27 |
| 57.3 Hz | -29.9 |
| 63.8 Hz | -28.1 |
| 71.1 Hz | -27 |
| 75 Hz | -26.3 |
| 83.6 Hz | -23 |
| 88.2 Hz | -25.9 |
| 93.1 Hz | -30 |
| 98.3 Hz | -28.5 |
| 103.7 Hz | -27.7 |
| 109.5 Hz | -29.7 |
| 115.5 Hz | -31.4 |
| 122 Hz | -32.8 |
| 128.7 Hz | -33.9 |
| 135.9 Hz | -32.7 |
| 143.4 Hz | -24.6 |
| 151.3 Hz | -25.2 |
| 159.7 Hz | -19.7 |
| 168.6 Hz | -19.6 |
| 177.9 Hz | -19.2 |
| 187.8 Hz | -12.5 |
| 198.2 Hz | -5.1 |
| 209.2 Hz | 0 |
| 220.8 Hz | -0.7 |
| 233 Hz | -2.5 |
| 246 Hz | -4.2 |
| 259.6 Hz | -2 |
| 274 Hz | -7.2 |
| 289.2 Hz | -12.4 |
| 305.2 Hz | -16.6 |
| 322.2 Hz | -22.9 |
| 340 Hz | -27.1 |
| 358.9 Hz | -29 |
| 378.8 Hz | -23.1 |
| 399.8 Hz | -17.7 |
| 421.9 Hz | -15.3 |
| 445.3 Hz | -17.1 |
| 470 Hz | -18.9 |
| 496.1 Hz | -20.3 |
| 523.6 Hz | -17.7 |
| 552.6 Hz | -20.8 |
| 583.3 Hz | -23.2 |
| 615.6 Hz | -20.1 |
| 649.8 Hz | -19.8 |
| 685.8 Hz | -19.3 |
| 723.8 Hz | -26.5 |
| 763.9 Hz | -26.4 |
| 806.3 Hz | -24.8 |
| 851 Hz | -24.2 |
| 898.2 Hz | -23.4 |
| 948 Hz | -25.8 |
| 1 kHz | -27 |
| 1.06 kHz | -24.9 |
| 1.11 kHz | -26.7 |
| 1.18 kHz | -27.8 |
| 1.24 kHz | -28.1 |
| 1.31 kHz | -29.6 |
| 1.38 kHz | -30.7 |
| 1.46 kHz | -32.9 |
| 1.54 kHz | -35.4 |
| 1.63 kHz | -32.7 |
| 1.72 kHz | -32.4 |
| 1.81 kHz | -29.8 |
| 1.91 kHz | -30.5 |
| 2.02 kHz | -32.8 |
| 2.13 kHz | -34.5 |
| 2.25 kHz | -35.7 |
| 2.37 kHz | -35.9 |
| 2.5 kHz | -35.3 |
| 2.64 kHz | -37.1 |
| 2.79 kHz | -37 |
| 2.94 kHz | -34 |
| 3.11 kHz | -35.6 |
| 3.28 kHz | -35.8 |
| 3.46 kHz | -35.7 |
| 3.65 kHz | -38.7 |
| 3.86 kHz | -39.6 |
| 4.07 kHz | -40.2 |
| 4.3 kHz | -39.9 |
| 4.53 kHz | -42.2 |
| 4.79 kHz | -44 |
| 5.05 kHz | -44.2 |
| 5.33 kHz | -41.4 |
| 5.63 kHz | -41.9 |
| 5.94 kHz | -41.9 |
| 6.27 kHz | -39.5 |
| 6.62 kHz | -38.6 |
| 6.98 kHz | -40.1 |
| 7.37 kHz | -36.2 |
| 7.78 kHz | -37.4 |
| 8.21 kHz | -37.8 |
| 8.66 kHz | -37.1 |
| 9.15 kHz | -40.7 |
| 9.65 kHz | -41 |
| 10.19 kHz | -40.8 |
| 10.75 kHz | -35.9 |
| 11.35 kHz | -35.4 |
| 11.98 kHz | -37.6 |
| 12.64 kHz | -39.1 |
| 13.34 kHz | -43.9 |
| 14.08 kHz | -45.9 |
| 14.86 kHz | -46.3 |
| 15.69 kHz | -59.9 |
| 16.56 kHz | -80 |
| 17.48 kHz | -80 |
| 18.44 kHz | -80 |
| 19.47 kHz | -80 |
The idea
The product stays in place while a room moves through a day. Morning, afternoon and lamplight give the same composition a different feeling.
Let the light do the storytelling. Keeping the camera and objects still makes small changes in atmosphere carry the film.
Credits
Creative direction and production: Aziz Al Khunizan
Product: Camellia
AI-generated keyframes and motion, assembled into a light study with a music bed.
Behind the scenes
How it was made
The five keyframes that carry the room through a day.
01 First light 
02 Morning 
03 Noon 
04 Golden hour 
05 Night
Scenario and scenes
Five aligned keyframes of the same room with the camera and every object locked, so the only thing that changes is the light. A curtain breathes inside each clip and is back at rest on every keyframe, which keeps the joins invisible.
Light and grade
One room through a day: cool first light, low morning sun, bright noon, deep amber golden hour, then night lit only by the lamp before the dawn returns.
Sound
This cut has no voiceover. It runs on a slow instrumental of sparse oud notes over a warm drone, with no percussion, so the light carries the story.